Contour shuttle pro driver mac11/1/2022 ![]() It simply uses the QWERTY keyboard's J, K and L keys as respectively Rewind, Pause and Fast Forward. #Contour shuttle pro driver mac softwarePretty early on, software developers instituted what is called 'J-K-L' support. Sometimes I have to bite my finger to keep from grabbing the mouse from a student and tossing it out the window. You can usually tell how long someone has been using a Mac by how many keyboard shortcuts they use and how many times they reach for the mouse. ![]() For years, Apple has been fantastic about the development of keyboard support, and the subsequent ease of including keyboard shortcuts in third party software. And so Avid, Media 100, Premiere and Final Cut Pro still put funny little buttons with arrows on the windows of their onscreen editors, much to the disgruntlement of every editor's wrist.Īll is not lost, though. Now that the physical gears are gone, we still need to see the veneer of gears to intuit what something can do. We humans are hardwired for our tools and we can't live without them. are all standards that hearken back to a day when push buttons engaged gears that drove motors and caused action. Nearly every digital video editor incorporates a tape transport metaphor into their interface design. Digital non-linear editors, like Avid, Media 100, Premiere and Final Cut Pro use mouse-driven, or if you get lucky (and spend enough money), keyboard patterns that sort of mimic the hand-eye coordination system that Jog/Shuttle provides for physical tape decks. ![]() Linear systems follow the venerable system of Jog and Shuttle wheels that make the tape transports on the tape decks leap to life. In general, that's usually pretty restrictive. I've used linear tape-to-tape systems as well as digital non-linear editors and I've gotten used to adapting to whatever workspace the system I'm using allows me. Review - Shuttle PRO Multimedia ControllerĬontour Design's Shuttle Pro Multimedia Controller ![]()
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